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Life Colored In  PAST EXHIBITIONS:
| dec. 7, 2012 - jan. 19, 2013 | | Havana: Piercing the Darkness | | dec. 7, 2012 - jan. 19, 2013 | | Bestiary | | nov. 2, 2012 - dec. 1, 2012 | | Admittance to Arcadia | | nov. 2, 2012 - dec. 1, 2012 | | A Year in Mountains | | nov. 2, 2012 - dec. 1, 2012 | | Traces | | oct. 5, 2012 - oct. 27, 2012 | | Carrier Pigeon: Artist Driven 2 | | oct. 5, 2012 - oct. 27, 2012 | | When All Is Said and Done | | aug. 17, 2012 - sep. 29, 2012 | | Valera Iskhakov: Scent of a Woman II | | jul. 6, 2012 - aug. 13, 2012 | | Made in Princeton | | jun. 30, 2012 - jul. 1, 2012 | | Welcoming Magic Gardeners | | jun. 1, 2012 - jun. 23, 2012 | | Primitive Level Signals | | apr. 20, 2012 - may. 26, 2012 | | Bodies and Movements | | mar. 2, 2012 - apr. 14, 2012 | | Continuum | | jan. 21, 2012 - feb. 25, 2012 | | Lunar Arrangements | | dec. 2, 2011 - jan. 14, 2012 | | Color on the Edge | | dec. 2, 2011 - jan. 14, 2012 | | Life Colored In | | oct. 21, 2011 - nov. 26, 2011 | | Between Figuration and Abstraction | | oct. 21, 2011 - nov. 26, 2011 | | Go Live Your Own Life | | sep. 2, 2011 - oct. 15, 2011 | | Still Life | | sep. 2, 2011 - oct. 15, 2011 | | The Spiral | | jul. 1, 2011 - jul. 30, 2011 | | Urban Ingredients | | jun. 3, 2011 - jun. 25, 2011 | | Autofiction | | may. 6, 2011 - may. 28, 2011 | | Gatekeepers of the Cycle | | may. 6, 2011 - jun. 25, 2011 | | The Orchestra of the Damned | | apr. 1, 2011 - apr. 30, 2011 | | The Secrets of the Wind | | apr. 1, 2011 - apr. 30, 2011 | | Sea of SAMSARA | | apr. 1, 2011 - apr. 30, 2011 | | Primeval Geographies | | mar. 4, 2011 - mar. 26, 2011 | | The Importance of Small Things | | mar. 4, 2011 - mar. 26, 2011 | | Cataleptic Escapade | | jan. 15, 2011 - feb. 26, 2011 | | Refractive Brain Therapy | | dec. 3, 2010 - jan. 8, 2011 | | Retrospectus et Momentum | | nov. 4, 2010 - nov. 28, 2010 | | Discovering Duality | | oct. 1, 2010 - oct. 31, 2010 | | On the Wave of My Memory | | aug. 22, 2010 - sep. 26, 2010 | | Go Figure | | jul. 15, 2010 - aug. 15, 2010 | | Particular Beauty | | jun. 11, 2010 - jul. 11, 2010 | | Material Motion | | apr. 30, 2010 - jun. 6, 2010 | | Fabricating Truths, Shaping Stories | | mar. 30, 2010 - apr. 26, 2010 | | The Travel Show | | mar. 30, 2010 - apr. 26, 2010 | | Birth of Shape | | mar. 5, 2010 - mar. 28, 2010 | | Island Cuba | | jan. 23, 2010 - feb. 26, 2010 | | In Between | | dec. 4, 2009 - jan. 15, 2010 | | Once Upon a Time... | | nov. 6, 2009 - nov. 29, 2009 | | Leaving Eden | | oct. 2, 2009 - oct. 30, 2009 | | The Circle | | sep. 1, 2009 - sep. 27, 2009 | | Metamorphoses | | aug. 5, 2009 - aug. 24, 2009 | | Valera Iskhakov, New Works | | jun. 5, 2009 - jul. 31, 2009 | | Scent of a Woman |
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dec. 2, 2011 - jan. 14, 2012 Tom BradyI paint things that can be seen every day. I search for people, scenes and visual relationships that I like, empathize with, or at least am intrigued by. As a result, over the years I have begun to enjoy and look at a great variety of people and daily scenes. It is my belief that for paintings to capture the thrill and wonder of life they need to be more than just realistic recordings but instead should exist as individual metaphors. My paintings are recreations of pastels I do directly on location. The pastels are thoroughly studied so that the resulting paintings are expressions and not just copies. I love color and search for colors that lie just beneath the surface. Thick oil paint conveys gesture and movement and creates an abstract painting that references the initial pastel but also elevates it to something, as Fairfield Porter would say "with a life of its own". Hopefully, the viewer can enjoy my work enough to make the leap to understanding my visual and emotional experience and can make it their own. - Tom Brady |